| fluterbev ( @ 2008-04-20 11:51:00 |
| Current mood: | |
| Entry tags: | meta |
Meta: Feedback as currency
Feedback is often said to be the only payment a fanfiction writer receives for their craft, and I wonder sometimes if that commonly expressed adage is at the root of some of the misunderstandings which arise between readers and writers in fandom. If you classify feedback as payment then a piece of writing becomes a commodity which has a price, and the amount/quality of feedback received becomes perceived as a measure of that commodity’s worth. Yet there often seems to be a mismatch in perception between readers and writers when the phenomenon of feedback is discussed in those terms.
I’ve recently been reading a discussion on a list for a fandom I lurk in, and am seeing a reiteration of various points which have been raised numerous times in my own fandom. These are the kind of arguments that have been made on the part of readers and writers:
| READERS | WRITERS | |
| 1 | State that they rarely or never send feedback | Tend to assume that lack of feedback means either no one wanted to read or no one liked their story |
| 2 | Lament the lack of recent stories they personally like, and tend to express that perception in terms of a perceived lack of quality amongst newer writers | Express demotivation at the lack of response and/or negative comments about the state of fanfic in general, and state an intention not to bother posting any more stories or to post them in alternatives venues |
| 3 | Accuse writers of ‘only writing for feedback’. The belief is expressed, often disparagingly, that this is why writers tend to post at LJ and write shorter forms such as drabbles | Express various reasons for writing (they love the source material, are compelled to write etc), and freely admit that feedback/communication with readers makes them happy and motivates them. This ultimately influences where they post their work |
| 4 | Are disdainful about solely-positive one-line feedback (such as that seen on LJ), and tend to dismiss it as personal affirmation from the author’s friends (or even alleged sockpuppets) and therefore lacking in perceived worth | Are generally receiving less feedback now than in the past, but are far more likely to receive any feedback at all if their work is posted on LJ instead of at traditional archives (where there can be little or no response from readers). The majority express gratitude for any type of feedback, including one-line thanks and concrit |
| 5 | Resent what they see as an expectation on the part of writers to only receive positive feedback. The view is strongly expressed that feedback should be a learning tool, and that writers should welcome criticism and strive to improve on the basis of it. Writing = Serious Business | A few state unashamedly that they prefer to receive only positive feedback. In rare cases, one or two choose not to post their stories online because they dislike receiving any feedback at all. The usual reason given is that they are not interested in becoming better writers but only in pursuing a hobby, so critical comments (or any comments) can be demotivating or are not of interest/use to them. |
I thought it might be interesting to examine those points in the context of feedback as currency. I’m meandering around the concept here – no definitive conclusions are given, and the viewpoints discussed below are not necessarily ones I share. I'm also aware that the distinction between readers and writers is actually a lot more blurred than I've allowed for in this post - many people are both. I’m simply offering up my thinky-thoughts for discussion.
1) I received no feedback, so no one read/liked my story
If you are a writer, and you regard the amount of feedback you receive as the payment due to you in exchange for your product, then it is entirely believable that you can feel ripped off if it doesn’t ‘sell’ for what you believed it was worth.
But do readers see it in the same way? They often point to a number of reasons for not sending feedback – habit, lack of time, desire to send concrit yet concern about how well that will be received, amongst others. I know, from my own experience as a reader, during the period before I started to write stories myself, that I frequently read stories which I loved, yet for reasons rooted in my own insecurity as a (then) non-writer, I didn’t feel comfortable sending feedback.
Many of the reasons given for not sending feedback are unrelated to whether the story in question was regarded as a worthwhile or enjoyable read. And few readers ever seem to express their giving of feedback in terms of it being payment. Fanfic is freely available on the net, and anyone can read it. Why, unless they have a particular investment in doing so, should readers pay for it terms of feedback? And if stories are read via fanzines instead of on the net, the reader has already paid a monetary sum to read it, so why should they pay again by sending feedback?
2) No one liked my story, so I won’t bother posting anymore
If your product doesn’t sell in one marketplace, then it might sell in another. That makes sense – why should writers post their stories in places where no one appears to be buying? And if your potential customers are already talking about how the currently available goods are not as high in quality as they used to be, what reason do you have to stick around?
But once the writers have taken their wares off to pastures new, the readers left behind tend to feel pretty disappointed. They’ve been deprived of their easy-to-find, apparently free store of fanfic, and now have to navigate some unfamiliar new site to find it yet, as far as they were concerned, there was nothing wrong with things as they stood, so they really don’t get why writers are going elsewhere.
3) Writers are in it for the
I’ve often jokingly said that, if my motivation for writing was to get tons of feedback, I’d have stopped writing TS stories and moved to SGA long ago *g*. Yet I stay, because my primary motivation for writing about Jim and Blair is that I love to play with those particular characters, and no other characters will do. Feedback, to me, is merely a nice bonus.
My motives for writing and posting TS stories are my own; but other writers have many and varied motivations, up to and including *gasp* enjoying getting feedback. And getting feedback, it has to be said, can be a very enjoyable experience, so why should writers feel sleazy about accepting it? What’s so bad about being rewarded – ie ‘paid’ in the currency of feedback - for your hard work?
Insisting that writers who post at LJ and/or those who write drabbles only write for feedback (and ‘feedback’ in that context means 100% ‘squee’) is tantamount to saying that they’ll churn out any old crap as long as they get paid. There’s a huge assumption there that payment is all that matters to those writers – their motivations are described in extremely black and white terms, as though ‘serious’ writing (coupled with disdain for feedback which is not detailed concrit) is at one end of the spectrum, and at the other end the writer produces low quality stories solely for reward.
The reality can actually be found on a sliding scale somewhere in-between. It is not mutually exclusive for someone to produce quality work, obtain vast pleasure out of the process of production, and both seek/enjoy feedback of any stripe.
4) Writers sell out/behave fraudulently to get more feedback
If a writer gets ten, brief, “I enjoyed that!” comments from friends the writer might indeed be pleased, but a disgruntled onlooker might see it as evidence of corrupt business practices, as though the writer is accepting a few back-handers on the sly. It can even be inferred that bribery is involved, in that the writer has somehow coerced people into commenting. Even worse are the claims of fraudulent behaviour, in the form of feedback from assumed sockpuppet identities.
These are all charges I’ve seen levelled at writers who get a lot of comments on stories posted on LJ. The writer’s product has been assessed by the reader as low in quality, so if it obviously goes for a price way beyond its perceived value – and for more than stories assessed as being of higher quality, but posted in venues where lower amounts of feedback are the norm - then the writer must be cheating or committing fraud to inflate the apparent value of their sub-standard product.
5) Critique is legitimate currency, squee is counterfeit
We’re back to the dichotomy mentioned earlier. ‘Serious’ writers are motivated by their craft, and critical feedback is currency that can be spent to improve the quality of future products. One-line squee, while nice to receive, is not regarded as ‘real’ feedback, because it has no worth beyond instant gratification.
Writers who don’t fit this model tend to be disparaged and, no matter what they do, they can’t win. Some writers dislike critique so much, they choose not to post their stories at all, or they post them in locked LJs/member-only groups, thus limiting the type of feedback they receive to squee or eliminating the possibility of it altogether. Potential readers who are denied access to that product portray it in terms of being a shady and illegitimate way to operate, and feel as though they have been turned away from some exclusive store. And yet, when it comes down to it, the store probably sells cheap tat anyway, since real money is not accepted there!
Any thoughts? Please feel free to discuss amongst yourselves. I will be busy for the rest of the day, but I will hopefully be able to spend some time tomorrow catching up with comments on this post and others.
ETA: I just found out that this post was linked in . I'm going to be out of action for a short period due to a family crisis, but all comments/discussion are welcome from anyone popping in, and I'll try to acknowledge/answer as many as I can as soon as I'm able :-)